Access Exclusive: Elisabetta Canalis Declines Delivering Angry Texts To George Clooney

La, Calif. -- Despite research of bitterness between exes Elisabetta Canalis and George Clooney, they both told Access Hollywood this is not the problem. Undertaking a study by Us Weekly proclaiming that Elisabetta sent George numerous angry texts after she discovered the actor was dating new girlfriend Stacy Keibler, George launched a disagreement to get into. [The report] was completely fabricated to have the ability to sell magazines. I never discuss my very own existence unless of course obviously it affects othersand this lie affects others, the actor mentioned in the statement. Elisabetta, who came out on Thursdays Access Hollywood Live, thanked her ex for going to her defense. In my opinion he was excellent, the fact he was up personally, the recently started Dwts contestant told Billy Rose rose bush and Package Hoover. You cannot control just what the press produces. Its just false, she ongoing when asked for in regards to the report, frequently saying she didnt send George any angry texts about Stacy. We are OK, we are OK, really, she mentioned of George. Thats why he am nice. I have to thank him around, things finish, you progress on. The 33-year-old Italian beauty confessed to Billy and Package the medias scrutiny on her behalf account past relationship while using Oscar champion remains difficult. I'd this relationship with George, who is a good guy, he's a gentlemen, therefore i cant deny [that it's hard,] clearly, she referred to. If perhaps him being happy, the two of us handled to maneuver on Im just searching toward building my future. Her future includes not dwelling round the past. Is tough to find out him with Stacy?, Package asked for. No, seriously, I really am handled to maneuver on, she mentioned, revealing they does not presently have another guy in their existence. Despite no boyfriend, I have handled to maneuver on. Since her work on Dancing is finished, Elisabetta told Billy and Package they expects to pay attention to her language capabilities and possibly live both stateside too as with her native Italia. I'm going to be forward and backward, she referred to. My job is [like a TV host, so thats things i learn how to complete. I have to concentrate on my British certainly. Everything may come and I'm going to be grateful and happy. Copyright 2011 by NBC Universal, Corporation. All rights reserved.These elements is probably not launched, broadcast, rewritten or redistributed.

Shorts, foreign film Oscar records due Monday

The deadline to submit records inside the live action online video, animated online video and language film groups for your 84th Academy awards is Monday. Records must cope with towards the Academy of motion Picture Arts and Sciences by 5 p.m. tomorrow that require thinking about. The nominations will probably be introduced Jan. 24 at 5:30 a.m. as well as the Academy awards is going to be provided on Feb. 26 within the Kodak Theater in Hollywood. The Honours will probably be broadcast live and consume the ABC Television Network. Contact the number newsroom at news@variety.com

Empire's Dragon Tattoo Cover

Rooney Mara & Difficulties arriveIt's that point again, time for any glorious new Empire cover to become revealed.Which month we are going dark and twisted with David Fincher's The GirlWithThe Dragon Tattoo, with DanielCraig and Rooney Mara going front and center.The film is, while you are all aware, the variation from the to begin Stieg Larsson's Millennium Trilogy, withRooney Mara as hacker Lisbeth Salander and DanielCraig as journalist Mikael Blomkvist. David Fincher's pointing, and also the cast includes the not-inconsiderable likes of ChristopherPlummer, RobinWright, Stellan Skarsgard, JoelyRichardson, Julian Sands, Embeth Davidtz and Geraldine James.Our Nev Pierce questioned all individuals involved and visited the set to create all of you the most recent around the film, but here's only a taster of the items Fincher needed to say about Salander herself."There have been discussions in early stages where everyone was like, 'She's a super hero!' And also you go, 'No, she's not. Superheroes reside in an enormous amount of good and evil, and she's much more complex than the usual super hero. She has been jeopardized. She has been subjugated. She has been marginalised. She has been taken in to the gutter and she's were built with a part inside it. She dresses like trash because she's somebody who has been betraued and hurt badly, by forces beyond her control, that she's just made the decision to become refuse. She will sit anywhere she would like around the bus, because nobody wants to cope with her."The GirlWith The Dragon Tattoo has gone out on Boxing Day here, that ought to help counter any excess jollity you've experienced over Christmas, yet still moment among the finest films of the season. The November problem of Empire hits stores on Thursday.

'Nikita' Executive Producer on Season 2: It's Lighter, Fancy and much more Fun (Q&A)

Toni Braxton, a six-time Grammy champion and actress, has signed with ICM. Braxton's acting credits include Broadway's Beauty and also the Animal and Aida. In 2008, she taken part on ABC's Dwts. Braxton has launched five albums and offered a lot more than 40 million records worldwide. She's handled by Baumgarten Management and Productions and also the Collective.our editor recommendsTALENT SIGNINGS ROUND-UP: Hailee Steinfeld Employs a Manager New Customers at CAA, UTA, ICM, Paradigm, APATALENT SIGNINGS ROUND-UP: Neal McDonough to Paradigm New Customers at WME, ICM, UTA, APA'American Idol' finalist signs record deal STORY: Talent Signings: New Customers at WME, ICM, APA, Paradigm Josh Elliott, anchor on ABC'sGood Morning America, has signed with CAA. Just before joining Hello America this spring, Elliott co-moored ESPN's SportsCenter. High cliff Dorfman, who co-authored Warrior, has signed with Apostle Management. Dorfman's writing credits include Cinemax's Entourage, Fox's Beverly Hillsides, 90210, and also the WB's7th Paradise. He's also symbolized by Paradigm and lawyer Gang Tyre Ramer & Brown. Email: Daniel.Burns@THR.com Twitter: @DanielNMiller Related Subjects ICM

David Kohan And Max Mutchnick Sell 2 Comedies With Put Pilot Commitments

EXCLUSIVE: After a year-long stint as showrunners on CBS’ comedy $#*! My Dad Says, Will & Grace creators/executive producers David Kohan and Max Mutchnick are back creating their own shows. They have kept busy this season, selling two multicamera comedy projects — one at CBS and one at ABC — with put pilot commitments. Both projects hail from Warner Bros TV and Kohan and Mutchnick’s studio-based KoMut Entertainment, with the duo writing and executive producing. The untitled CBS project is about 2 male best friends — one gay, one straight — who both are in serious relationships. Described as a show about “4 people in 3 relationships”, the comedy reflects the real-life longtime friendship between Kohan, who is straight, and Mutchnick, who is gay. Because of that connection, the idea has been near and dear to their hearts. The two tackled it before at ABC, where the project went to pilot starring Alan Tudyk, Josh Cooke and Ty Burrell, but Kohan and Mutchnick had admitted they felt there were script, casting and other issues. The two had moved on when this year CBS approached them about revisiting the idea about a show based on their relationship but getting it right this time. ABC’s Help is an Upstairs, Downstairs-style comedy about a rich family and the people who work for them. It centers on a young man — trained at the country’s leading culinary school — who lands a job as the personal chef for the dysfunctional owners of a family-run fashion empire. Kohan and Mutchnick, who won a best comedy series Emmy for Will & Grace, are repped by Scott Schwartz.

Watch Transformers 3 Dark Of The Moon Movie

9 Social Show Integrations We are Liking At This Time

Natalie Morales Its not all Television show really wants to become more social. But a couple of shows have it, and therefore are pushing the social envelope in innovative ways, making their programs a lot more interactive, an investment as valued as total audience and demographic richness to marketers nowadays.We are starting off the autumn TV season with seven straight times of tales about social TV, then ongoing coverage through the season. First of all, we put together a listing of nine implies that are smashing the social-engagement mold. We have spoken to network executives, stars, producers along with other TV folk who we say is the leaders within the social TV space. Some tips about what we are liking at this time, but it is clearly no encyclopedic list. Which shows do you consider have it? We are interested to listen to what you believe. Please seem off within the comments below!1. The Voice (NBC)Sunday, Feb 5http://world wide web.nbc.com/the-voice@NBCTheVoiceWhat's Good: The coaches tweet throughout the episode and through the week, and host Carson Daly frequently uploads photos to Twitter throughout shooting (like that one of he and coach Christina Aguilera on set). They can do their finest to instantly react to fans who tweet questions like: "What color lipstick is Christina putting on?"What Is Better: The show drawn on Alison Haislip to become the show's official "V Correspondent" (we are wishing that means "virtual") for connecting fans using the show. Now as the online choices are all around, on-air segments from the "Social Networking Lounge," where tweets fly by on news zips while audience people stand at tables, tweeting from Sprint pills, really are a little awkward. Consequently, Haslip's efforts frequently appear extraneous.2. True Bloodstream (Cinemax)Season finale broadcast Sunday, September 11connect.cinemax.com@TrueBloodHBOWhat's Good: In May, Cinemax released HBOConnect, a "second screen" site for customers searching to improve their social experience throughout shows like True Bloodstream. Although it airs, HBOConnect has a "Visualizer" tab that's literally a genuine-time visualization of the very most-spoken-about subjects among audiences. The "Conversation" section enables fans to RSVP to reside chats with show designers and stars. Additionally they use episode-specific Twitter hashtags for fans.What Is Better: As the site is a superb resource for audiences throughout the show, it appears to visit dormant within the interim. Cinemax may want to attempt to add more elements to HBOConnect that keep fans interactive between episodes - and seasons.3. The Roast of Charlie Sheen (Comedy Central)Broadcast Monday, Sept. 19http://world wide web.comedycentral.com/shows/roast-charlie-sheen/index.jhtml@CharlieSheenWhat's Good: Comedy Central anticipated the Roast's viral achieve, and did a fantastic job of integrating a show-specific digital dashboard on the site. Customers could share clips using their internet sites watching graphic visualizations of hot subjects concerning the roast being talked about on Twitter. They can embedded a "Charlie Cam" that focused exclusively on Sheen for the whole amount of the roast.What Is Better: It could have been great if roasters like Seth Macfarlane and Mike Tyson live-tweeted throughout the pre-recorded broadcast. Sheen located a "roast party" at his house that Jon Lovitz attended, but he mostly did not tweet until following the airing.4. 2011 Video Music Honours (MTV)Broadcast August 28, 2011http://world wide web.mtv.com/ontv/vma/2011/ @MTVWhat's Good: MTV accepted the "second-screen" concept with this year's VMAs using its impressive WatchWith application. Notable features: a chance to watch live backstage camera feeds along with a seating map associated with each celebrity's Twitter handle that demonstrated who had been tweeting instantly.What Is Better: Very little. As the honours reveal might have been underwhelming, its innovative social networking efforts made sitting with the two-hour program more manageable.5. Cake Boss (TLC)September 26 at 10/9chttp://tlc.howstuffworks.com/tv/cake-boss@CakeBossBuddyWhat's Good: The show's Facebook page -- its most powerful social tool --includes fun, interactive elements just like a "Who Takes The Wedding CakeInch photo contest, quality recipes, along with a forum for discussing cake problems. Once the page hit 3 million Likes earlier this August, Buddy Valastro (the wedding cake Boss themself) recorded a unique video by way of thanking fans for that support. Younger crowd baked a cake.What Is Better: We'd like it if @CakeBossBuddy tweeted more behind-the-moments photos and info. The show is exclusive because its star is really in operation that audiences have become to like. We believe fans want an idea of his day-to-day routine - especially between seasons.6. Most harmful Warrior (Spike)Finale broadcast Wednesday, Sept. 14warrior.spike.com @Players_DenWhat's Good: For that show's season finale, they released an application that enables audiences to election in polls reacting to hosts' on-air questions. Poll results made an appearance on-screen instantly and also the hosts customized their conversation as to the fans were buzzing about. The efforts were successful: The finale, "Vampires of the underworld versus. Zombies," grew to become an international trending subject on Twitter.What Is Better: Besides the finale-specific application, their only offering is definitely an apple iphone "Defend and Conquer" game that allows customers choose players to take part in a fight. The apparent next thing could be an iPad application that provides a far more robust choice of social tools. The Facebook fan page is a little one-dimensional, and can take advantage of something similar to an active talk to the show's hosts.7. It Certainly Is Sunny in Philadelphia (Forex)Thursdays at 10/9chttp://world wide web.fxnetworks.com/shows/originals/sunny/social.php What's Good: An appropriately named "Sunny Social Club" section online works as a hub for each one of the show's social shops: Facebook, Twitter, and GetGlue. They have even integrated an application in to the show's Facebook page that enables fans to produce individualized Sunny trailers using videos, graphics, and music, which could then be easily distributed to buddies.What Is Better: The "Sunny Social Club" website landing page encourages fans to go over the show while using #SunnyFX hashtag on Twitter, the reveal doesn't have official Twitter handle. Rather, the hyperlink redirects towards the @FXNetworks Twitter page. With no verified account, fans remain with no centralized spot to tweet in the show.8. Survivor (CBS)Wednesdays at 8/7csurvivor.cbs.com@JeffProbstWhat's Good: CBS is excellent at social, but not one other reality show includes a more socially passionate host than Shaun Probst. He live-tweets commentary throughout every episode, and it has beginning filming 15-second, real-time videos utilizing a service known as Tout through the show to reply to fan questions. He's candid and funny, just like a close friend with a lot of insider info. What Is Better: Probst's Tout videos must have a far more prominent place among CBS' great social choices. Right now, he's only 2,000 fans around the relatively recent service.9. Today (NBC)Monday - Saturday at 7/6cSundays at 8/7chttp://world wide web.today.com@TodayShowWhat's Good: Throughout her daily news briefing, Natalie Morales provides a fast "What's Trending Today" segment that works as a "roundup of the items has you speaking online." Subjects vary from popular culture to politics, and therefore are typically highlighted by videos or photos. Today has additionally effectively leaped around the Tumblr bandwagon, posting behind-the-moments footage and photos of visitors, and re-blogging great posts using their company Tumblrs - by having an uncharacteristic snarky voice.What Is Better: So that they can result in the 4th hour nowadays more social, they introduced the charming Sara Haines like a "web correspondent." Once in awhile, your camera cuts to her desk and she or he reads things aloud that audiences have published on Kathie Lee and Hoda's Facebook wall. Everything appears a little forced you want her role was more built-into this program.

Global Showbiz Briefs: India, Qatar, The nation

Rom-Com Zombies Lurching IntoBollywood Films Indian filmmakers are sinking their creative toes into the zombie water, though a simple-hearted touch. Shaadi in the Dead (Wedding in the Dead) is about a spook invasion inside a Punjabi large event. It’s setfor release next season. Also inside the works is Go Goa Gone, starring Saif Ali Khan, about several youngsters who fight the undead inside the resort condition of Goa. Shaadi in the Dead director Navdeep Singh is banking round the novelty price of the genre to draw youthful Indian film audiences. “We feel this idea from the zombie film is very fresh,” he told AFP. “It is a factor that has never been attempted inside the Hindi film industry and therefore we are feeling it'll work.” Al-Jazeera Mind Steps DownAfter Wikileaks Connect With U.S. Qatar’s government has transformed Wadah Khanfar, the director-general in the al-Jazeera satellite tv network, getting an individual in the own royal family. Khanfar’s resignation uses 8 years of altering the landscape from the center East’s media landscape,in the wake from the Wikileaks debate. A U.S. government cable uncovered lately signifies Khanfar made the decision to “tone lower” objectionable content and certain to “remove it inside the subsequent a few days.” Al Jazeera has carried out an important role inside the protest actions sweeping the middle East, airing round-the-clock coverage of uprisings that introduced lower rulers in Tunisia, Egypt and Libya this year. Thenew chiefis Sheikh Ahmed bin Jassim Al Thani, an expert at Qatargas. Wild Bunch Takes Majority Stake in the united states’s Vertigo French distributor and producer Wild Bunch has acquired a large part stake within the the spanish language language distributor Vertigo. The sale might be the most recent relocate Wild Bunch’s bid to create a European distribution network. Furthermore to its own models in Germany andFrance, it provides a similar partnership with BIM in Italia. Vertigo will still purchase films and then sell to distribs in the united states. ‘Moneyball’ Is Opener, ‘Dolphin Tale’Closer At Mumbai Fest Director Bennett Burns’s baseball film, starring Kaira Pitt, will open the thirteenth edition in the MumbaiFilm Festival, which has amped within the foreign star wattage this year. Other films receiving Indiandebuts within the fest are Lars Von Trier’sMelancholia, Wim Wenders’Pina, George Clooney starrer The Ides ofMarch as well as the fest closer, Dolphin Tale. A very long time achievement award would go to lyricist Sampooran Singh Kalra, akaGulzar, whowon a music Oscar getting a.Ur. Rahman for Slumdog Uniform.The fest runs from March. 13-20. Reliance Entertainment can be a primary sponsor.

Facebook: Help Wanted With Hollywood

Are you currently presently a sizable-title executive capable ofcultivating associations and striking handles the film and music industries? if you are, Facebook wants you, with different unique report from Reuters. The social media titan desires to make media a primary problem using its options. It spoken with former Bebo co-leader and former MTV professional Jason Hirschhorn of a job heading the business’s outreach to media companies, the report states, but a deal wasn't showed up at. Facebook makes some recent inroads with Hollywood. COO Sheryl Sandberg joinedDisney’sboard of company company directors this past year, and Netflix Boss Reed Hastings tooka chair on Facebook’s board in June. Jim Breyer of Accel Partners, Facebook’s greatest outdoors investor,lately was nominated for the News Corp board. He sits round the Legendary Pictures board and will be a director at Marvel before Disney bought. Facebook has furthermore cut deals to supply films from Warners Bros and Universal for streaming. Plus it should have some money to toss in the brand new hire: Facebook will generate $4.2B in revenue this year, greater than double $2B it created this year, according to research firm EMarketer Corporation.

REVIEW: Lion King 3D Makes Refreshing Use of Extra Dimension

The Disney Digital 3Dification of The Lion King for its theatrical re-release, a limited run meant to herald the arrival of new Blu-ray and 3-D Blu-ray editions like a baboon waving a newborn lion cub around at the top of a cliff, has prompted at least one blogger to suggest that this is an instance of the company “trying to ruin” her childhood. And while childhoods are very fragile things in the Internet age, prone to explode with the merest hint of contact with George Lucas’s latest doings or a Point Break remake or a Monopoly movie, I suspect in this case the outrage is as manufactured as the demand for these animated classics that are always being jerked back into the Disney Vault to be kept fresh for the next generation of susceptible children and their nostalgic parents. For most of the young audience members getting their first exposure to The Lion King, any theatrical experience, 3-D or not, is going to be dwarfed by repeated home viewings on TVs and smaller screens, again and again until the very cadences of the lines are etched permanently into their grey matter (“When he was a young warthog—” “When I was a young warthooooooooog!”). Anyway, The Lion King’s new incarnation as a 3-D experience doesn’t downgrade the experience of watching it. After-the-fact 3-D conversions of live action films have proven to be, to put it gently, a mixed bag, sometimes adding nothing more than a few bucks to the ticket price and sometimes, as in the case of Clash of the Titans, making a lousy film even worse. The Lion King’s traditional cel animation (with occasional computer animated assists, as in the sequence in which the herd of wildebeests stampedes through the gorge, nearly killing the film’s young protagonist) actually opens up well, if inconsistently, to 3-D. Broad landscapes like the ones showcased in the “Circle of Life” opening offer the best opportunities for use of depth of field, and shots like the one of a flock of birds flying over reflective waters have an added lushness to them. There are perspectives that seem almost made with eventual 3-D in mind — ants crawling on a branch in front of what’s revealed by a shift in focus to be a group of zebras traveling past, elephants lumbering toward the camera over the crest of a hill, Zazu the hornbill swooping over the gathering animals up to Pride Rock. But those are all sequences of spectacle, for which 3-D is best suited. In less flashy scenes, the effect gives the film a not as impressive but not certainly not problematic pop-up picture book quality, the flatness of the animated characters becoming more obvious. It’s really only with the more stylized visuals that accompany some of the songs that the 3-D becomes a distraction, the geometric, kinetic look becoming dizzying in the added dimension — the goosestepping hyenas in “Be Prepared,” the zoologic choreography of “I Just Can’t Wait To Be King.” For the most part, being in 3-D provides a minor refresh for a style of animation that was the big-screen norm 17 years ago, and that doesn’t seem dated these days so much as simply different. Revisiting The Lion King on a large screen, what’s evident is how it’s unabashedly a film for children — and that’s no criticism. There’s far less of that contemporary frantic quality born out of fear of losing the short attention spanned or the occasional over-the-kids-heads pop culture reference asides for the benefit of bored adults in the room. And there’s not the sense you can sometimes get from Pixar features, as incredible as most of them are, that it’s grown-ups the creators actually had in mind the whole time. The Lion King isn’t adapted from a fairy tale the way many Disney films were, but it has the simple moral arc of one, the exiled princeling growing up and growing into his responsibilities, the kingdom physically decaying and the environment out of whack due to his deposition. (It may couch it in terms of cycles of nature and balance, but The Lion King is all about the divine right of the monarchy.) It also shows a fairy tale’s dark sense of justice — a little girl at my screening wailed when Scar was eaten by his hyena allies after betraying them, a development that may not be on par with the incinerator in Toy Story 3, but qualifies for being at least a little upsetting. It is, in other words, still universes better than the average current kiddie flick, animated or live action, and none the worse for the 3-D tweak. I doubt anyone will be able to say the same about the forthcoming Top Gun 3-D conversion.

Watch Harry Potter and the Deathly Hallows Full Movie

Toronto 2011: Day 7 Recap

Today was basically as great each day as you might expect in the Toronto Worldwide Film Festival. I began off my morning by meeting with probably the most exciting youthful stars (and probably the most beautiful women) working today, 27-year-old Olivia Wilde, who's around to advertise the comedy Butter. Wilde couldn't happen to be more lovely or candid throughout our time together, and that i can't wait to talk about video from it soon. PHOTOS: 13 Movies to understand in the Toronto Film Festival Then, I made the decision just to walk, instead of ride a cab, to the Scotiabank Theatre for any couple of tests, and that i'll forever be very glad which i did. Why? Because in the center of one street I went in to the great film critic Roger Ebert (who is just one of my heroes both for that great work he has been doingOrstill does but for the way he's fearlessly transported on when confronted with thyroid cancer) and the wife Chaz Ebert (who I've lengthy respected from afar for the way in which she's supported her husband through his struggle, coupled with the pleasure of meeting and talking with in a dinner on Saturday evening). At Chaz's invitation -- she knows just how much I really like Roger -- I walked a couple of blocks together and shared a little about my very own background in film. Roger couldn't vocally respond, obviously, but he responded as to the I had been saying giving me, once in awhile, his trademark thumbs-up. I've had lots of memorable encounters only at that year's TIFF, but nothing tops individuals couple of minutes for me personally. COMPLETE COVERAGE: Toronto Film Festival I eventually switched around and headed back toward the Scotiabank, where, in the advocating of the publicist friend, I attended a screening of Luc Besson's The Woman. The drama movingly stories the real story of Burmese opposition leader Aung San Suu Kyi (Michelle Yeoh) and her husband Michael Aris (David Thewlis) and also the sacrifices they made to try and bring democracy towards the southeast Asian country after decades of the oppressive military dictatorship. It's well behaved, superbly made, and stories an essential chapter of history that many in the western world are unfamiliar, and so i was happy to listen to, just hrs once i first viewed it, that it is U.S. distribution privileges were acquired through the Cohen Media Group. Nominations because of its stars' understated performances appear just like a lengthy shot, however i suppose a number of its below-the-line people could register if your proper campaign is funded. Incidentally, Burma -- and, for an extent, Suu Kyi -- were featured in Burma VJ (2010), an excellent documentary that received an Oscar jerk just 2 yrs ago. STORY: Cohen Media Group Takes U.S. Privileges to Michelle Yeoh Drama 'The Lady' Then i rushed over the theater and managed to get before Bruce Beresford's Peace, Love, & Misunderstanding, that has been tough maligned by some commentators now, but that we discovered to be perfectly enjoyable and enjoyable, otherwise great. The main reason the film got made, I imagine, would be that the great two-time Oscar champion Jane Fonda decided to play its eccentric matriarch, a grandmother whose lengthy-estranged daughter (Catherine Keener) turns up at her home -- with two kids with you (the lady is performed by Elizabeth Olsen of Martha Marcy May Marlene) -- after separating from her husband. Fonda shows all of them to release up helping all of them find a little of romance (Olsen with Chace Crawford) throughout their stay, and it has several lines of dialogue (one including "cock-obstructing") that chose to make this author literally laugh-out-noisy. It blows my thoughts that they is just 3 years more youthful than her father Henry Fonda was when he earned On Golden Pond (1981), which finally introduced him an Oscar Jane just appears a lot more vivacious at this time of her existence than he did (or many people do). I'm greatly excited to are convinced that she's decided to grant me a job interview sooner or later soon -- potentially tomorrow -- and that i anticipate getting the audio of this conversation for you as quickly as possible after that.PLM continues to be seeking domestic distribution. STORY: 'Peace, Love & Misunderstanding' to Screen as Opening Feature in the Woodstock Film Festival My final screening during the day was Oren Moverman's Rampart, which reunites him together with his muses in the Messenger (2009) Woodsy Harrelson, within the central role of the crooked cop, and Ben Promote, who plays a destitute veteran. Like Drive, this film involves violent encounters includes a very distinct mood throughout it featuring a great supporting cast (including Promote, Ned Beatty, Cynthia Nixon, Anne Heche, Sigourney Weaver, Robin Wright Penn, Ice Cube, and Steve Buscemi). Since you may recall, we opened the very first clips from the film, that we would urge you to look at. Harrelson's performance is completely worth honours consideration, during my estimation, and that i can't think the film's U.S. distribution privileges won't be scooped up within the very close to future. Toronto Worldwide Film Festival Ben Promote Catherine Keener Jane Fonda Michelle Yeoh Olivia Wilde Roger Ebert Chace Crawford Worldwide Peace, Love & Misunderstanding The Woman

FCC OKs Cumulus-Citadel Merger

ATLANTA & Las vegas–(BUSINESS WIRE)–Cumulus Media Corporation. (Cumulus Media) (NASDAQ: CMLS) and Citadel Broadcasting Corporation (Citadel) (OTCQB: CDELA) (OTCQB: CDELB) (OTCQB: CDDGW) today introduced the government Communications Commission (FCC) has approved the pending merger from the wholly-possessed indirect subsidiary of Cumulus Media and Citadel (the Merger). Using this approval as well as the formerly introduced termination in the waiting period beneath the Hart-Scott-Rodino Antitrust Improvements Act of 1976 (the HSR Act), Cumulus Media and Citadel have recently received all needed controlling mortgage loan home loan approvals concerning the the Merger. As formerly revealed, concerning the the termination in the waiting period beneath the HSR Act, Cumulus Media will divest three r / c by 50 percent areas Flint, Michigan and Harrisburg, Pennsylvania. The Merger remains prone to approval with the stockholders of Citadel, together with other customary closing conditions. Also as formerly revealed, Citadels special meeting of stockholders to approve the Merger will probably be held on Thursday, September 15, 2011, as well as the deadline for Citadels stockholders to produce an election concerning the consideration they wish to receive inside the Merger is 5:00 p.m., NY City time, also on September 15, 2011.

REVIEW: Slow, Ridiculous Apollo 18 is Found Footage Horror Done Wrong

When they work, found footage films are testaments to the power of a limited perspective. Features like The Blair Witch Project, REC and Cloverfield get juice out of the fact that we’re not able to see or know more than the characters on screen. They use a gloss of the intentionally clumsy — jittery camerawork, lower quality footage, mundane dialogue — to allow a story to invade from an unexpected angle. They require cleverness in concept and, more importantly, in construction, particularly when the found footage flick in question is of the horror genre, as so many of them are; there’s no easier way to lose your audience than to make them wonder why, when such frightening things are allegedly happening, your characters are still bothering to roll tape. On the plus side, they’re a way to hide your monster (or witch, or demon, or alien) from view for longer than is usually allowed a more standard film — and the monster we imagine is usually much scarier than the one we finally see on screen. That’s definitely the case for Apollo 18, a sci-fi/horror attempt directed by Spaniard Gonzalo Lpez-Gallego in his English-language debut that’s meticulous in its “found” visual details, minorly smart in concept, painfully slow to actually watch and so ridiculous in its big reveal that it almost has to be seen to be believed. It claims to be assembled from footage of a classified final trip to the moon that took place in 1974, hours of which were allegedly uploaded to a website called lunartruth.org. Three astronauts are sent on this mission — John Grey (Ryan Robbins), whose role is to man the command module while it’s in lunar orbit, and Ben Anderson (Warren Christie) and Nathan Walker (Lloyd Owen), who get to go down to the surface of the moon and spend a few days setting up what they’ve been told are devices to detect Soviet missiles. The film makes expansive use of the many cameras trained on this trio on their trip — the cameras mounted inside their respective modules, the motion-sensor cameras outside, the cameras on the lunar vehicle — switching in quality and look in way that’s actually very impressive, though the 16mm cameras the astronauts carry to document what’s happening bear the majority of the narrative burden. To describe what unfolds as a slow burn is to be awfully generous. While John waits, circling, above, Ben and Nate notice strange sounds outside their module as they try to sleep. Something’s interfering with their communication signals; something’s messing with their equipment outside. They find a Soviet spaceship and a dead cosmonaut in the film’s best and only genuinely tense sequence, involving navigating with a flash in the dark of an impact crater. But the extraterrestrials are as sluggish in their menace as the astronauts are in believing there’s any threat to their precarious continued existence, until the latter finish up and try to leave, and can’t. Which brings us to the aliens. If you’re interested in keeping their nature a mystery, please skip the end of this review, because there are spoilers ahead. Okay? Okay. The aliens are rocks. They are moon rocks that grow crab-like legs and scuttle around and get inside people’s spacesuits and give them bloodshot eyes and space madness. After all that drudging buildup, all the mysterious tracks that obviously aren’t human, the blurry shots of the lunar landscape with one small flicker of movement in the corner, the smashed Soviet space helmet, the endless check-ins with the orbiting module as it goes in and out of comm range, that the payoff is something so laughable is infuriating — even more so than the realization that the film’s finale makes the survival of any of the footage we’re supposedly watching pretty much impossible. The aliens are facehugger knockoffs with all the frightening aspects excised. They’re killer paperweights. Apollo 18 ends with an ominous note about the hundreds of pounds of moon rock collected over the different lunar missions, some gifted to different foreign heads of state. It’s doubtless intended to raise the specter of a sequel about invasion or infection, but instead it brings to mind the image of dozens of world leaders staring in bemusement at display cases, inside of which their lunar souvenirs have sprouted legs and started rattling around, hoping to causing mischief.